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Client Services: Arts Consultancy

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PROJECT NAME:

Swarbrick Interpretation Site - Walpole Wilderness Discovery Centre

 

2008 AILA Western Australia Excellence Award for Public Art in Landscape Architecture


Artist: Peter Farmer

CLIENT:

Department of Conservation and Land Management

ARTISTS:

Lorenna Grant and Alan Clarke

BUDGET:

$40,000

TIMEFRAME:

April 2006

Location

Swarbrick Discovery Site – just north of Walpole in the Walpole Wilderness Area

 

Artists at work Alan Clarke and Lorenna Grant


Artists perception of Torus

The Swarbrick project, coordinated by Artsource, has won the 2008 Excellence Award in the Public Art in Landscape Architecture section.
While it was a team effort Artsource would like to congratulate the Department of Environment and Conservation and the artists involved.
Both artists have been commissioned to design the 2009 trophy.



Artwork Brief
Passionate feelings ‘about wilderness’ have been aroused in people through-out history. The changing perception of ‘wilderness’ and in particular the Walpole Wilderness Area over time has been the inspiration to the overarching theme to be interpreted within the Walpole Wilderness Area. The work is to be sited on between two – five nodes (one work in several pieces). It will be installed within the old growth karri forest among the understorey and forest floor debris at Swarbrick within the Walpole Wilderness Area in the south-west of Western Australia. The art work was to relate to a 60m stainless steel ‘wall of perception’ interpretation panel that aligns the trail to the exhibit space.

“Interpreting the changing perceptions over time and place of the Walpole Wilderness Area”

Description
Four artworks represent several possible associations and individual may have based on their experiences, histories, vocations, passions and cultural perspectives. The four symbolic artworks are the: Colonial Totem drawn from hand tools used in the early forest clearing, a historical window of attached meanings: proud pioneering heritage; threat to indigenous species; the harnessing of nature ; the pure hardship that was part of daily life by pioneers and a productive vision of the future. The Ghost Feather pale and translucent it began in reference to a certain critically endangered species but evolved to encapsulate a pandemic perception amongst human communities, a consciousness of loss: 500 Seeds is an intricate “cut out’ that shows the geometric ideal that reflects the eternal nature of Source. This Cornucopia of growth and generation is reflected in many things in the natural world. This is a mathematical principle to maximise the most abundant possibilities. This principle has been transformed into a large screen. The perforated material becomes a veil in which to interpret the forest: The Torus is the ancient geometric metaphor of unity. The Torus is literally around all life forms, all atoms and all cosmic bodies such as planets, stars and galaxies. It is the primary shape in existence and governs many aspects of life. The circle of completion, the zero point reunion with self. It symbolises the inter-connectedness of all living things.

extracted from the artists submission and printed with permission from the artists

Consultant
artsource is working with CALM to develop an artwork program for the Swarbrick site and is currently negotiating the commission of a three dimensional art-work by a Noongar artist.